Love,
Laughter and Lies
2Co’s Cabaret
Short North
Columbus, Ohio
* * * * 1/2
by Rick Brown
I had my doubts
that 2Co’s Cabaret could come up with a show to rival this
year’s delightful 2Co’s Got the Blues but,
once again, this troupe of talented actors and musicians have
proven me wrong. Love, Lies and Laughter opens with a
haunting rendition of Tori Amos’ “Silent all these
Years”. With Jennifer Hahn singing and pounding the ivories
while accompanied only by Stephanie Shull on flute the mood is
set hauntingly by the duo’s complex instrumentation…lyrical
meandering…all confined in its stark, refreshingly simple
presentation.
After the opening monologue by Tom Cardinal, the entire band…with
Mr. Cardinal in the forefront…immediately shifts gears with
a delightfully ornery, Caribbean influenced version of Paul Simon’s
“Late in the Evening”. This is deliciously segued
into the regional premier of GW Jr’s My Therapist Bob.
Jennifer Hahn (Elaine) and John Croke (Chuck) play intensely neurotic
people meeting in a restaurant for a blind date. Much to Elaine’s
dismay the two are joined by Chuck’s therapist Bob (Tom
Cardinal) who immediately begins counseling them on how to relax
and try to enjoy each other’s company. The comedic talents
of these three fine actors makes for an uproariously funny first
sketch.
After an entertaining but somewhat flat performance of Steely
Dan’s “Haitian Divorce”, is the first of two
Charles Bukowski pieces for the evening. Joe Lorenzo is mesmerizing
in his telling of “Love for the First Whore”. This
is a serious monologue enhanced by some stark black and white
lighting. Lorenzo’s performance is riveting as he moves
from harsh bitterness to conciliation and back again while he
walks from darkness to light…and back again. And when Mr.
Lorenzo looks into the crowd and asks, “Are you bored”
his character becomes both dangerous and terrifying. Unfortunately,
I’m not sure the crowd got this monologue. Maybe it was
a little too real for them.
Conversely, the audience embraced Dave Barry’s “Baby
Hormones Have Taken Over My Wife And All I Can Say is Waah!”.
Personally while I enjoy Dave Barry I find his subject matter
a bit too glib at times…too mainstream shall we say. Still,
Gabe Smith’s off-handed delivery was quite effective in
drawing guffaws from a crowd that had obvious experience with
pregnancies and couples interaction during them.
Chris Lynch delivers a casual, subtly sarcastic reading of the
second Bukowski piece “Hello Barbara”, the tale of
a man who gets rip roaring drunk and calls his ex-wife on the
phone. Mr. Lynch’s gift of relating a monologue is so good
it almost seems second nature…as if he could deliver a Bukowski
message while fast asleep. And this night was no exception.
The other two sketches in the second half are brilliant. Pam Callahan
and John Croke play newlyweds on a Caribbean honeymoon in Marilyn
and David. Ms. Callahan’s Marilyn is a woman maybe
48 hours into her marriage who is already struck with second thoughts,
doubts about their love, feelings off confinement. Yet she shifts
back and forth on both positive as well as negative fixations.
Meanwhile husband David observes her wide mood swings with mostly
bemused and confused sleepiness. From their nuptial bed Croke’s
husband brilliantly plays off Ms. Callahan’s wildly fluctuating
bride in what can only be described as extraordinary silence.
Closing Love, Laughter and Lies is Rich Orloff’s
Off the Map; a short play where couple Scott (Tom Cardinal)
and Jean (Stephanie Shull) are lost in what we learn later is
a metaphorical Antarctica. Jean wanders off looking for a guidepost
as Scott meet a Local (Joe Lorenzo). A Local being…in Antarctica
of course…a penguin. I’m not sure there are many actors
who can scare the life out of people reading a Charles Bukowski
monologue and return to the stage moments later to play an effectively
poignant penguin. But I know Joe Lorenzo is more than capable.
The skit is both childlike in its presentation and wise in its
message…all without coming close to the dangers of absurdity
or triteness. Orloff’s play works here because of the amazing
capabilities of the actors involved under the direction of director
James Makofsky.
Musically, bandleader Chris Champa maneuvers Downtown DFN through
some difficult cover songs. The Beatles’ “I Want You
(She’s So Heavy)” is sung by a determined Joe Lorenzo
(who else?), pacing the stage giving a caged animal intensity
to the tune. And there is John Croke’s wonderful take on
Bill Wither’s “Ain’t No Sunshine” (complete
with solid bass solo by the “Rev” himself), Aretha
Franklin’s “Chain of Fools” by soul mistress
in residence Sheaneen Shelby, Michael “Hacksaw” Duggan’s
delightful “The Party” (Harry Connick Jr.) and a wonderfully
upbeat ensemble effort on Fishbone’s “Everyday Sunshine”.
Ending an awesome night of entertainment is Pam Callahan backed
by Lydia Tew being campy and sexy…singing and shaking their
respective moneymakers to Me Shell Ndege ‘Ocello’s
“If That’s Your Boyfriend”. Whew…I’m
worn out just writing about the entire experience!!!!
Love, Laughter and Lies will be performed at 2Co’s
Cabaret in Columbus’ Short North until May 21. For more
information go to www.shadowboxcabaret.com
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Click
Here
Blank
Sight
by John Bennett
Poetry Corner:
by Ted Kane
ONE FOR THE ROAD
Hunter S. Thompson,
Rest In Peace?
That doesn't seem right;
I'd like to think
he'll shake things up
In the next world
as well
Every day above ground
he cheated death;
who knows, even here
he may have left
the bony bastard feeling
shortchanged.
continued...
Encyclopedia
Selfdestructica
by Cory Tressler
A review
of Let It Blurt:
The Life & Times of Lester Bangs, America’s
Greatest Rock Critic
By Jim DeRogatis
Ok,
so Lester Bangs was a great writer who wrote about rock and roll
from the late 1960’s until his death in 1982, but that was
about the nicest thing you could say about the guy. He was an
ugly drug addict that drowned pills and speed with cough syrup
and booze like it was nothing. Bangs wrote all of his best work
while high on speed. He rarely slept and hardly ever showered.
He lived in his own filth and he somehow couldn’t understand
why women wouldn’t stay with him for an extended period
of time. In short he was a rock and roll obsessed train wreck.
Satan’s
Turtle vs. Virgin Mary’s Grilled Cheese
by Patrick O'Malley
For those whose confidence and trust in American media has
been wavering or had already totally withered, listen up.
We can at last put our faith (pun intended - hee!) back
into the liberal Jew-run media. Those filthy heathens may
not always get it right, or touch on the stories we need
most, but when they do it’s a reminder to all of us
that our one lord works in wonderfully magnificentous mysterious
ways. Why just today I was reading the “news”
online, in between my multiple daily visits to www.godsaidmansaid.com
for my science refresher course (it’s my homepage,
and should be yours, unless you don’t mind going to
hell), when I read the most fascinating article that serves
as a reminder to us all of the frighteningly real evil incarnate
that is the dark lord Satan.
continued...
33
by Rick Brown
Thursday,
March 3, 2005
8:33 pm
We arrived at the cabin at 7:30 or so. The drive wasn’t
bad…different part of rural Ohio for me. After a somber
afternoon the ridge is all too quiet and dag gone!!!! We
forgot the “fat wood”…whatever that is.
So it’s back to Boy Scout/church camp counselor experience.
There’s a “white man’s fire” roaring
now. Calm…even the dog.
10:50
pm
Man…it’s too friggin’ cold for the hot
tub. The fire seems more appropriate this evening. For March
3rd this is a dark and frigid night. 2005 has been severely
serious in it’s karmic nature. Sickness…death…cancer…car
accidents…hospitals…All these things happening
to the people around me. 33 years since our first date.
Wow. Coincidentally, we drove through Granville, Ohio yesterday.
The site of that very beginning.
continued...
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I
am
I am
a cloud
without
a sky
I am
a rainbow
without
a storm
I am
a star
without
a galaxy
I am
a void
filled
to capacity
I am
an empty shell
filled
with sand
I am
a blank page
filled
with thoughts
I am
war
at peace
I am
hatred
in love
I am
depression
in ecstasy
I am
born
therefore
existent
I am
dead
therefore
endless
I am
energy
therefore
kinetic
I am
nothing ~ I am the universe
Tracy L. Nicholson
'no
secrets'
it'll be good to leave
people that would have me
stay.
why is that?
because they keep
me from my selfing self.
i want to cultivate
i want to
explore. i want to
be anonymous for awhile.
less people mirrorsdistortions
less ego conflict,
less people.
new walls so i don't
have
to punch so much
for awhile.
Jessy Kendell
This morning I got up
and angels fell out of my bed
birthing a crease of happiness inside
A. Jive Turske
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The
Co-Op
by Rick Brown

Right down the street from where I live…just a block…there’s
a food co-op I belong to. I just shop there and try to be
friendly when I go in. I’m glad it’s there.
Still…my avoidance of all things organized keeps me
from getting more familiar. I’m kinda funny like that.
So I sauntered down there for a few items for the week.
Trail mix…dog chews…dark chocolate…apples…a
six-pack of beer. You know…some of the finer things
in this good life. Since the place just began selling beer
and wine a short while ago, you must have an ID no matter
how old you look. It’s smart really. There are still
plenty of folks who don’t care for old hippies…neo-hippies…people
who want to live “simply”…vegetarians.
What used to be called counter culture. And what might be
known as “suspicious” today. (Wait…wasn’t
this “suspicious” 35 years ago?)
I waltzed around the place carefully choosing my staples.
Everything was a no brainer…’cept for the beer.
There is no corporate brew on these premises. Uh uh…only
those beers we all put on a list….that’s what
co-ops do Way cool. A place that sells beer with no Bud
Light to be seen anywhere...not even warm. Perhaps there
is a God. (a god?) I chose Pilsner Urquell…a Czechoslovakian
brew that was the very first pilsner made…ever. Yum.
I made my way to the check out area and immediately noticed
two new guys running the registers. They looked young. And
as soon as the first guy held up a bunch of asparagus and
asked…loudly enough to be heard throughout the small
store…of his customer, “What’s THIS?”…well…my
hunch was confirmed.
The other register was suddenly clear so I carried my Curious
George re-usable bag (chicks dig it!) over to the other
new guy. He rang up everything just fine…then asked
me for an ID before he turned his attention to the beer.
I gave him the driver’s license that identifies me
as a 51 year old man…he examined it…handed it
back to me…and said, “You’re still ROCKIN”!”
I was flattered…and impressed he omitted the “DUDE!”
Most impressed indeed. Immediately he rung up the beer and
asked, “Is this stuff really good?”…once
again effectively refraining from the “DUDE”.
I told him personally I thought it was great. But I cautioned
him the beer was “bitey”. “Bitey?”
he asked. “Yeah” I said. “You know. What
some people call ‘skunky’ beer”.
Simultaneously his youthful face screwed up into a wrinkled
wad while his voice proclaimed through tight lips “Skunky
beer!”…again skillfully avoiding the “DUDE”
I smiled and said, “If skunky beer is something you
know about, this might not be for you.” I too magnificently
stifled the “DUDE!” We shared a laugh. I walked
home…emptied the Curious George bag…and had
myself a “bitey” brew.
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Dirty
Little Secrets 2K5
Shadowbox Cabaret
Easton Towne Center
Columbus, Ohio
* * * 1/2
by Rick Brown
It’s always comforting for me to hear the voice of
Amy Lay while waiting in line to get into the Shadowbox
Cabaret performance space. After the freeway drive, the
parking lot maneuvering, and wallowing through denizens
of teenagers to arrive, her troupe program sales pitch is
calming and warm. Ditto for the graciousness of doorman
Robert Foor (Foorman?). It’s no Dirty Little Secret
how I feel about Easton Towne Center. But I always feel
it’s worth the trip once I’m settled in…usually
at the back of the theater…soaking in the organized
chaos that permeates the place before the show. And on this
evening Ms. Lay also had the privilege of making the rounds
as the “raffle girl”. Amy’s ribald reveling
certainly makes her queen of the double entendres…goddess
of the innuendo.
This year’s version of Dirty Little Secrets
begins with BillWho? fronted by Julie Klein (lead vocals),
Noelle Grandison, Katy Psenicka and Amy Lay for a scorching
rendition of Peter Gabriel’s “Sledgehammer”.
Following the troupe’s theme song by the omnipresent
Ms. Lay…during David “Mr. Pratfall” Whitehouse’s
opening monologue…I noticed the woman at the table
next to me. She and her companion were newcomers…virgins…to
a Shadowbox show and they were celebrating a birthday. By
her demeanor I can only guess this may have been her first
foray into a comedic experience. I silently nicknamed her
Ms. Hardy Har Har. Every time someone onstage opened his
or her mouth out came “BLAAAH! HA! HA! HA! HA!”
After a while…for any of us in the near vicinity…the
effect of her overt exuberance made it seem as if we were
listening to a comedy CD at home and one of our stereo speakers
had blown. If a line was humorous…while everyone else
was merely chuckling…Ms. Har Har was going “BLAAAAAH!
HA! HA! HA! HA!” Mr. Whitehouse could probably have
said something like, “The cat was very large”
and I’m sure my right ear would have been assaulted
by “BLAAAH!!! HA! HA! HA! HA!” At least she
was having fun.
During a wonderful performance of David Bowie’s “Fame”
(sung notably by J. T. Walker III) while an excellent dance
routine (including Amy Lay) unfolded stage right of the
band I endured “BLAAAHH!! HA! HA! HA! HA!” I
don’t really think the intention was to be uproarious.
But I’m beginning to see the challenge for Shadowbox
Cabaret. On the one hand they are skilled at sketch
comedy. That was obvious during the original bit “Le
Blind Date” in which Jimmy Mak and Amy Lay portray
a couple dining at an exclusive French restaurant in a most
delightfully slapstick way. And another Shadowbox original
“Monopoly Jail” was hilarious as well. Also
Julie Klein and Katy Psenicka were superb as snooty socialites
in homegrown “Maureen and Buffy”, a counterpoint
to their popular working class version “Cindy and
Lavern”. Yet when a monologue such as Steve Martin’s
“A Public Apology” is adeptly read by Jimmy
Mak, the audience…all the bachelorette parties…birthday
bashes included…seem a little distant. Even though
a large portion of marijuana humor was omitted from Martin’s
piece (I went back and read it again) Mr. Mak…who
appears to be the most affable man on the planet…doesn’t
get the attention he deserves. It’s as if Shadowbox’s
audience strives to be raucous and wants little to do with
nuance. Oh sure, there was Ms. Har Har going “BLAAAH!!
HA! HA! HA!” but the context made her yuks sound like
one hand clapping.
Musically the show is terrific…as usual. Mary Randle’s
powerful rendition of Queensryche’s “Eyes of
a Stranger”, Adam Fouth’s pleading vocals on
Living Colour’s “Open Letter to a Landlord”
and Noelle Grandison’s smoldering “I Can’t
Stand the Rain” are all extraordinary. (A little aside:
As much as I enjoyed seeing Ms. Grandison’s lovely
gams, her outfit and wig were way too much. This woman can
sing. She doesn’t need to impersonate Tina Turner.
Celebrate Tina…yes. But Ms. Grandison is
too talented to be a caricature of Turner. I was waiting
for fake Ikettes to dance out.)
The show closes with yet another original piece, “Dr.
Mystery – A Family Affair”. Despite the fact
this skit isn’t always tremendously funny, I find
it delightfully entertaining thanks to it’s surreal
use of puppets, human sourced sound effects and the congenial
goofiness of David Whitehouse (Dr. Mystery) falling down,
Katy Psenicka’s (Fair Maiden) self depreciating boob
jokes and Jimmy Mak’s (Vigo) charmingly dumb sidekick.
I’m a sucker for the burlesque of it all.
What stood out for me in this year’s Dirty Little
Secrets was talented actor Amy Lay. In “Shannon’s
Movie Reviews” she played a young girl doing movie
reviews on such adult fare as Titanic and teenage boy flick
Spiderman. Shannon’s assumptions about the
meaning of each motion picture may be skewed but somehow
make inexplicable sense. Ms. Lay has the unique ability
to play a sweet child one minute and a woman gone wild the
next. Sometimes…because of her seemingly innate talent
to be both vulgar and innocent at the same time…she
is both simultaneously without making the contradiction
obvious to the audience. Amy Lay makes this look effortless.
It is not. And she brought the house down playing…well…a
freshly fucked floozy…in “J.B.F. Hair Products”.
Fawning over Heather’s (Ms. Lay) wild and obviously
“tussled from sex” hair (just been fucked) are
Noelle Grandison and Megan Overholt. I almost fell out of
my chair laughing…especially after realizing Ms. Lay
wasn’t playing a freshly fucked floozy at all. She
was playing a floozy who was selling a hair spray that merely
made her look freshly fucked. Ah yes…Ms. Double Entendre
strikes again!! And it certainly was not lost on my neighbor
Ms. Hardy Har Har. During this skit…thanks to Amy
Lay…we all were blaring “BLAAAAH!! HA! HA! HA!
HA!” As well we should have been.
A short
epilogue: How you like them apples F.C.C.?
Dirty
Little Secrets 2K5 runs through June 11 at Easton Towne
Center. For more information go to www.shadowboxcabaret.com
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